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USED - brown/gold ukulele strap with leather ends (general wear and tear as pictured)

12 fun lessons to inspire and educate the young musician - all on a 90 minute DVD

1/4" AF Box key for adjusting the truss rod in Deering banjo necks.

National Harmonica League Blue Leather keyring.

LLT-10 Digital Guitar  Auto Tuner - Clearnace

Images, biography and archives about banjo player and band leader Harry Reser.

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100% Cotton t-shirt with Mainland Ukulele design. Only available in sizes Small and Large. One of each

Hohner Harpster t-shirt in Dusky Pink for Women. Available in Medium and Large only.

Gold Tone Black Tshirt with Gold logo on front and back. Available in size medium. One only.

USED.  Excellent condition. As new.

Published in 1991, featuring tunes spanning a wide time range from the 17th Century to the current day. The tunes are mainly from the North-East of England and Scotland, although the editor’s net has also caught tunes from as far afield as Scandinavia and America. book provided an expanded repertoire for the pipes at a time when much of the repertoire was being circulated in handwritten form. A varied selection of mainly Northumbrian and Scottish tunes, both traditional and modern.

USED.

Northumbrian Pipers Society - The Northumbrian Pipers Duet Book

USED. In excellent condition.

113 British traditional dance tunes with guitar chords.

The purpose of this collection is to acquaint the newcomer to folk dance music with a selection of good tunes chosen from a variety of the most common rhythms used in the British Isles. They are all well tried tunes, many of them as popular now as they were when used by traditional musicians for the old village dances.

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The complete compositions of Jack Armstrong and a selection from the repertoire of duets which he played with Patricia Jennings 

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This book is an introduction to the fiddle playing traditions of England, Scotland, Shetland and Ireland.

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The Portland Collection, Volume 2 is a continuation of the music in the first Portland Collection, and its format is identical to that of the earlier book. Volume 2 contains 322 jigs and reels from the Portland, Oregon contra dance repertoire–all music that arrived in Portland since the tunes were collected for the first book in 1994-95. Again, Irish, Scottish, Québécois, Appalachian, and New England genres are represented. The tunes are both traditional and recently composed, from local treasures to national contra dance standards. There is an extensive commentary on every tune including stories about the tunes from their composers. There are chord suggestions, a discography, a bibliography, and more. The tunes and their histories were collected from many local contra dance musicians who generously gave of their time and talent to help us expand on the music in Volume 1.

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Instrumental dance and harp music from the Celtic Lands.

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A traditional celebration of a English midwinter

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This recording is a companion CD for the tune book, The Portland Collection: Contra Dance Music in the Pacific Northwest (1). Musicians George Penk, Clyde Curley, and Sue Songer, have played for contra dances in Portland and throughout the Northwest for decades. On this recording, they bring the music from the pages of The Portland Collection to life with rhythms and stylings that pop out while playing for dances–nuances of music that are difficult to convey in the pages of a tune book. The tunes on the recording are a cross section of the tunes in the book and represent the different genres and sources of contra dance music. There is a mix of both traditional and recently composed tunes as well as popular standards and tunes that have not been recorded before. Most of the music on the recording is arranged in dance-type medleys and played at dance speed. However, some of the tracks are played slowly with broader variation than is possible at dances and may suggest ways of approaching the music outside a contra dance setting.

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This recording is a companion CD for the tune book, The Portland Collection: Contra Dance Music in the Pacific Northwest, Volume 2. Musicians George Penk, Clyde Curley, and Sue Songer, have played for contra dances in Portland and throughout the Northwest for decades. On this recording, they bring the music from the pages of The Portland Collection, Volume 2 to life with rhythms and stylings that pop out while playing for dances’ nuances of music that are difficult to convey in the pages of a tune book. The tunes on the recording are a cross section of the tunes in the book and represent the different genres and sources of contra dance music. There is a mix of both traditional and recently composed tunes as well as popular standards and tunes that have not been recorded before. Most of the music on the recording is arranged in dance-type medleys and played at dance speed. However, some of the tracks are played slowly with broader variation than is possible at dances and may suggest ways of approaching the music outside a contra dance setting.

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On A Portland Play Along Selection, Betsy Branch, Clyde Curley, and Susan Songer invite musicians to pick up their instruments and play along with this representative cross section of the music in the two tune books published by Songer and Curley, The Portland Collection: Contra Dance Music in the Pacific Northwest (1) and 2. The tunes are individually tracked, even though they are played in medleys. Most of the tunes are played at a moderate tempo with only one lead and one back up instrument at a time. The recording is engineered so that the listener can pan right to hear the melody, pan left to hear the back up, or pan center to hear both together. The first and last sets on each disc are played faster with variations and harmonies to give a feel for how the music would be played at a contra dance. No tunes are duplicated from either of the two previous Portland Collection companion recordings.