Reduced to clear
Orchestra shaped guitar with AA Grade Engleman Solid Spruce Top and Lacewood Back and Sides.
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No longer a current model but a great guitar for its price. Clearance sale.
A collection of solo pieces in a variety of styles for solid-body electric guitar by Jon Finn
Includes CD
The book and CD contain everything needed to play guitar in this grade. In the book you will find the exam scores in both standard guitar notation and TAB. The accompanying CD has full stereo mixes of each tune, backing tracks to play along with for practice, tuning notes and spoken two bar count-ins to each piece.
Handy tips on playing the pieces and the marking schemes can be found in the Guru's Guide on page 16. If you have any queries about this or any other Rockschool exam, please call us on 0845 460 4747, email us at info@rockschool.co.uk or visit our website www.rockschool.co.uk. Good luck!
The music in this small collection of folk songs from America and the British Isles have an agelessness and familiarity that combine to make them accessible and enjoyable. They are presented here arranged to be played by a quartet of guitarists of beginning to intermediate ability, but are versatile and attractive enough to be useful as duets or trios by players of more experience.
This book's aim is to expose the bluegrass banjoist to the variety of tunings that can be employed in all styles of bluegrass music. It is my hope that it will offer something for every intermediate to advanced-level banjo picker.
THE HAL LEONARD GUITAR METHOD is designed for anyone just leaming to play acoustic or electric guitar. It is based on years of teaching guitar students of all ages, and it also reflects some of the best guitar teaching ideas from around the world.
This special edition includes customized photos and diagrams for the left-handed player.
Many of the devices and techniques used by "Cannonball" Adderley are covered in this text. In addition to the theory chapters, many melodic lines and phrases in the style of "Cannonball" Adderley are presented. All the lines have been transposed into one key and grouped by the harmonic background they can be played against. The accompanying play-along CD enables students to first practice the material in one key, and then master each line in all twelve keys, working around the circle of fourths.
These exercises are intended to help the serious musician internalize the vocabulary of music that comprises most jazz and classical genres today. They will not only enhance one's fluency with the various musical elements, but they will also help develop the ear, an important aspect that has been glaringly absent from many current pedagogical approaches.
Step-by-step pictures take you from first day exercises to playing along with a backing track! Absolute Beginners has been designed to tell you everything you need to know from the very first time you pick up your guitar.
Mel Bay Presents... The Original 'You can teach yourself Classic Guitar' a comprehensive book of instructions, chord charts, scales and more, everything you need to know to start playing Classical Guitar.
This book is for players and parents who need a working knowledge of basic fiddle maintenance and routine adjustments. It is also for more ambitious do-it-yourselfers interested in experimenting with minor adjustments to their instrument setup.
This book is not for owners of valuable violins. Owners of valuable instruments should do nothing to their own instrument except daily maintenance and changing strings.
Mel bay and Warner Bros. Presents... Guitar Tabsongs/Popular Country for fingerstyle. This book contains: 14 Country Classics, Easy Arrangements for Fingerstyle Guitar and Standard Notation and Tablature.
This is a selection of 5 pieces for solo guitar, dedicated to 6 great performers of the instrument. Each of these works reflects, for the most part, the rhythms and forms of Latin American dances.
This volume in the Frank Vignola Play-Along Series contains nine solos which have been written and recorded over blues and rhythm changes in many different keys. One of the etudes has been recorded both at a slower tempo for practice and also at performance tempo. The performance-tempo recordings of the solos include numerous choruses of rhythm section only. This allows for individual practice of the written solos or practice of original ideas with a live rhythm section. Occasionally, during these rhythm only sections, Frank Vignola will play an improvised solo for four, 12, or 24 measures. This allows the student to interact with the recording by copying ideas, building upon what has just been played, or practicing the chords to the piece. The Frank Vignola Rhythm Changes series gives any student of jazz guitar great ideas for playing solos over one of the most popular musical forms in jazz. Written in notation and tablature.
Solo Solutions is a 3-step guideline for the Electric Guitar player who intends to develop his soloing skills. While the 1st step explains different playing techniques and stylistic devices, the 2nd step is dealing with lead Guitar related music theory and scales. The 3rd step combines the two first chapters with countless examples and suggestions on developing your own style.
This book features an exclusive hands-on approach, which makes it a great learning tool and a must for the modern Guitar player.
A delightful collection of chamber music by Jean Phillipe Rameau and Johan Helmich Roman arranged for four guitars. These seven dances vary in style and tempo and are uniquely interesting both harmonically and rhythmically. Parts range in difficulty from easy to moderate in the lower parts and moderate to more advanced in the first part. Pedagogically, these pieces will challenge and engage both high school and college students. Fingerings have been left out to allow students and directors to explore different possibilities. These dances will make a fine addition to an ensemble's recital program or gig repertoire. In standard notation only. Score and all guitar parts are included in the book. In addition the 2nd, 3rd, and 4th guitar parts are available as online downloads.
It is a challenge to arrange and play American fiddle tunes and Celtic melodies on the guitar. This set of lessons presents several approaches for the intermediate guitarist with 3 CDs containing 3 full hours of instruction. Written in notation and tablature. LESSON ONE: Dave Laibman's arrangement of ""Colored Aristocracy"" features a Chet Atkins approach. ""Midnight on the Water,"" a beautiful Texas waltz, was arranged by Duck Baker and features counterpoint lines and variations on the theme. ""The West Wind"" is an evocative Irish air played with a classical feel. LESSON TWO: American fiddle tunes: ""Boys, My Money's All Gone"" played in a Nashville style and ""Last of Callahan,"" an arrangement using a counterpoint bass line played against the melody. LESSON THREE: Fiddle tunes from Ireland and America: ""Rights of Man"" and ""Drunken Wagoner"" both played in a dropped D tuning (D A D G B E).
Born in 1956 in Moscow, guitarist Nikita Koshkin is one of Russia's leading composers, teachers and concert artists. This collection includes works from throughout his 30-year career as a composer including his three-movement Hispanic Suite, one of his earliest compositions. The other compositions included in this volume are: Pan, Tristan Playing the Lute, Romance, and a five-movement suite called The Ballads: Suite for Solo Guitar. Koshkin uses dropped-D tuning in several of these pieces and favors rhythmic variety and stylistic diversity. These intermediate to advanced compositions appear in standard notation only with suggested left-hand fingering and generous performance notes.
Many of the devices and techniques used by "Cannonball" Adderley are covered in this text. In addition to the theory chapters, many melodic lines and phrases in the style of "Cannonball" Adderley are presented. All the lines have been transposed into one key and grouped by the harmonic background they can be played against. The accompanying play-along CD enables students to first practice the material in one key, and then master each line in all twelve keys, working around the circle of fourths.
Twelve tunes arranged for fingerpicking in open tunings. This book contains 3 CDs, each providing an hour of phrase-by-phrase audio instruction. The music is presented in the book in notation and tablature. Lesson One: Introduction to Open G tuning, walk thru of Just A Closer Walk With Thee and Black Mountain Rag. Lesson Two: Walk thru of Sparkling On The Wind and The Landlady. Introduction to Open C tuning and walk thru of House Carpenter and One Kind Favor. Lesson Three: Introduction to EADEAE tuning. Walk thru of La Rotta, Lord Mayo, and Lord Inchiquin. Introduction to DADFAD tunings and lesson on La Rotta.
These beautiful pieces are examples of Mozart's purest classical style, composed in Vienna around 1783. They were originally written for three wind instruments as "Divertimenti for Two Clarinets and Bassoon". They were published as a transcription for piano in the early 1800's and called "Viennese Sonatinas"
My arrangement for solo guitar is based on Willard A. Palmer's edition published for piano by Alfred Publishing Company. Their light-hearted character and thinner texture makes them more suitable for solo guitar than Mozart's keyboard sonatas.
The name ""Little Roy"" is misleading! He was considered an Icon during those early years and was the most imitated player at that time era. That era is long past but the popularity of ""Little Roy"" continues today. Like so many other players Roy used the E13th tuning but had his own sound that complimented Eddy Arnold's singing style. Many players still use this tuning and is your chance to see and hear the sounds that made Roy popular. And more importantly, ""You will be able to duplicate his musical arrangements"" by use of the tablature in this book. The tablature will allow even the novice to play these arrangements as it is presented in a very simple manner. Any serious minded fan of ""Little"" Roy Wiggins will want his book! Member: The Steel Guitar Hall Of Fame, Inc. Inducted: 1985
This volume in the Frank Vignola play-along series contains useful,well-structured solos for 11 choruses of the blues in the most common keys. Funky, bluesy, and bop oriented lines allow you to feel and hear what it is like to play a well-constructed solo. In the performance tempo recordings, the solo segments are often followed by numerous choruses featuring the rhythm section. This format allows for individual practice of the written solos or elaboration of original ideas with a "live" rhythm section. The solos provide an opportunity for the student to interact with the recording by copying ideas, building upon what has just been played, or practicing the chords to the piece.