Mandolin Music & Song Books
This brilliant songbook, Folk Songs For Mandolin, features more than 40 traditional favorites arranged specifically for mandolin, including John Henry, Kumbaya and Man of Constant Sorrow.
Full lyrics included.
Strum, sing and pick along with these 25 Beatles favourites arranged for Mandolin.
This songbook includes Across the Universe, And I Love Her, Eight Days a Week, Eleanor Rigby, Here Comes the Sun, Here, There and Everywhere, Hey Jude, In My Life, Let It Be, Lucy in the Sky with Diamonds, Penny Lane, Yellow Submarine, Yesterday and more.
Musick’s Delight on the Modern Cittern is intended for the beginner seeking a collection of simple yet attractive tunes that are enjoyable to play; the more intermediate player desirous of widening their repertoire; and any player in want of a collection of tunes upon which they can build further.
All tunes are presented in both notation and tablature, together with chords for an accompaniment, in GDGDG for cittern and GDAE for mandolin and octave mandola, plus two hundred and fifty chords each for GDGDG and GDAE. Bouzouki and tenor mandola players can also play these tunes via the tablature.
From the age of knights, castles and courtly love; from the palaces and gardens of Renaissance Europe; and from the assemblies, playhouses and noisy streets of seventeenth and eighteenth-century London: Musick’s Delight on the Modern Cittern presents a repertoire spanning 600 years – as delightfully playable and addictive now as it was then.
Strum Together songbooks feature melody, lyrics, and chord diagrams for five popular folk instruments displayed together in an easy-to-use format. With this edition, you can play 47 Dylan classics on ukulele, baritone ukulele, guitar, mandolin, and/or banjo! This is a great resource for stringed instrument players who are ready to experience the fun of making music together. Songs include: All Along the Watchtower · All I Really Want to Do · Blowin' in the Wind · Forever Young · Girl from the North Country · Gotta Serve Somebody · A Hard Rain's A-Gonna Fall · Highway 61 Revisited · It Ain't Me, Babe · Jokerman · Just like a Woman · Knockin' on Heaven's Door · Lay, Lady, Lay · Like a Rolling Stone · Maggie's Farm · Mr. Tambourine Man · Quinn, the Eskimo (The Mighty Quinn) · Tangled up in Blue · The Times They Are A-Changin' · and more.
BLURB FOR VOL 3.
Musick’s Delight on the Modern Cittern is intended for the beginner seeking a collection of simple yet attractive tunes that are enjoyable to play; the more intermediate player desirous of widening their repertoire; and any player in want of a collection of tunes upon which they can build further.
All tunes are presented in both notation and tablature, together with chords for an accompaniment, in GDGDG for cittern and GDAE for mandolin and octave mandola, plus two hundred and fifty chords each for GDGDG and GDAE. Bouzouki and tenor mandola players can also play these tunes via the tablature.
From the age of knights, castles and courtly love; from the palaces and gardens of Renaissance Europe; and from the assemblies, playhouses and noisy streets of seventeenth and eighteenth-century London: Musick’s Delight on the Modern Cittern presents a repertoire spanning 800 years – as delightfully playable and addictive now as it was then.
Book/Online Audio pack. 27 songs with chord changes, performance and fingering suggestions. Designed to give players a repertoire of common tunes and commonly used techniques such as slides, double stops, fiddle shuffles, tremolos, double-time ornaments and syncopation. "Big Mon," "Arkansas Traveler," "Sailor's Hornpipe," "Sally Goodin," "Whiskey Before Breakfast," "Kentucky Mandolin," "Old Dangerfield," more. The audio files include PLAYBACK+, a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.
A new book on improvisation is now available for bluegrass mandolin players. Based on the concept of learning by playing, this 200 page book covers a wide range of improvisation tools and how to implement them in your playing.
A spiral-bound master collection of mandolin music in notation and tablature. Contains classical, early country, bluegrass, fiddle tunes, blues, gospel, and ragtime music. A great source book for mandolin repertoire.
Increase your lick repertoire. 400 Smokin' Bluegrass Mandolin Licks utilizes 24 common bluegrass chord progressions to teach you over 400 licks, which will allow you to create solos to literally hundreds of bluegrass tunes.
Licks are developed from major, pentatonic and blues scales. Mandolin-specific techniques, such as tremolo, double stops, drone strings, and cross picking are included in many of the phrases. Licks and solos are presented in numerous different keys, including the keys of F, Bb and B. The demo CD includes every lick performed at learning speed.
The mandolin edition of Tone Poems presents notation and tablature for all 17 solos from the remarkable CD of the same name by David Grisman and Tony Rice.
This volume of the Mandolin Play-Along series features 8 traditional Celtic tunes all expertly arranged for Mandolin in standard and TAB notation.
The Mandolin Play-Along series will help you play your favorite songs quickly and easily. Just follow the written music, listen to the online audio to hear how the mandolin should sound, and then play along using the separate backing tracks.
This book presents transcriptions of David Grisman’s solos and accompaniment patterns from the CD Shady Grove. The Shady Grove recording contains some wonderful performances of old-time American music by David Grisman and Jerry Garcia, two of American music’s greatest players. It is a vibrant collection of wonderful traditional American songs, from a great variety of genres, played in a style closely based on their traditional sources.
This volume of the Mandolin Play-Along series features 8 traditional Bluegrass tunes all expertly arranged for Mandolin in standard and TAB notation.
The Mandolin Play-Along series will help you play your favorite songs quickly and easily. Just follow the written music, listen to the recordings to hear how the mandolin should sound, and then play along using the separate backing tracks.
O'Carolan's best-loved harp tunes are notated in a contemporary style that makes them accessible to all instrumentalists. This ideal collection with accompanying audio lays bare 20 classic Irish compositions for melody and backing players using standard notation and chords. For all 5-string banjo players, fretting and picking-hand fingerings are included in the transcriptions which match the play-along tracks. This is Hanway's fourth collection demonstrating Celtic fingerstyle banjo in G tuning. It is part of a Celtic 5-string series that includes Mel Bay's Easy Irish and Celtic Tunes for 5-String Banjo: Best-Loved Jigs and Reels (2012) and Mel Bay's Easy Irish andCeltic Melodies for 5-String Banjo: Best-Loved Airs and Session Tunes (2013). Tom Hanway's pioneering work, Mel Bay's Complete Book of Irish & Celtic 5-String Banjo (1998), was acclaimed by Bluegrass Unlimited magazine (1999) "as 'the bible' for any 5-string player with an interest in this joyous music." The current collection breathes life into the Gaelic classical melodies of Ireland. Access to online audio download.
Although the cittern has a history spanning 500 years and several countries, like its cousin the Irish bouzouki, it is a relative newcomer to contemporary traditional music. Doc Rossi, a well-known citternist in both traditional and early music, has created this book for intermediate to advanced players who want to improve their technique, develop ideas and learn new repertoire. Guitarists can play all of the tunes in this book on the guitar by tuning C F C G C F, low to high, and putting a capo at the second fret. The lowest line in the tablature then corresponds to the fifth string. The CD features all the tunes played at a medium tempo.
Eleven solos transcribed for mandolin in notation and tablature. Includes works by Corelli, Handel, Telemann, Bach and others.
As Bill Monroe is commonly lauded as "the father of bluegrass music," his tunes are standard repertoire and should be studied and memorized by any serious student of bluegrass. This book is a collection of transcriptions in notation and tablature taken from classic instrumentals recorded over a span of 40 years, from the early 1940s to the early 1980s.
In music, the term "bluegrass" describes the hot string-band style pioneered by Kentuckian Bill Monroe, which blends old-time country music with blues rhythms and jazz-influenced improvisation. This book contains 101 authentic bluegrass mandolin licks in the favorite bluegrass keys of C, G, D, and A minor written in notation and tablature. The licks are broken down into phrases of two, four, and eight bars. In addition, several endings and crosspicking licks are included.
This collection includes 34 great gospel favorites, well-known hymns and old-time spirituals especially arranged in standard notation and tablature for the mandolin. Several of the tunes are arranged for solo mandolin, while others are designed to be played with guitar accompaniment. Standard chord symbols are provided for accompaniment. The included online audion presents all 34 tunes, many with guitar backup.
Joe Carr presents his advanced mandolin arrangements of 12 well-known Texas-style tunes. The arrangements are inspired by the popular Texas contest fiddle style. The included online audio link features the tunes with the bluegrass band accompaniment.
This book gathers together in one volume the most played, most requested, most useful tunes from the full complement of regional and national styles. Included in the over 250 tunes are jigs, reels and hornpipes from Britain and the U.S.; old-time breakdowns and rags, marches and strathspeys from Scotland and Cape Breton, western swing and contra dances.
This book is a collection of some of the most famous pieces from this vast historical repertoire. The collection includes lots of popular folk songs, virtuosic pieces by original mandolin composers, as well as an original Aonzo composition. The book is presented in English and in Italian while the music is in standard notation and mandolin tablature.