Resonator Guitars

Thinline engraved & nickel plated Brass body 'Biscuit' resonator electro acoustic guitar. A superb 'on' or 'off' stage resonator guitar built to traditional standards, very attractive in appearance with abundant engraving and abalone inlay.

A handsome mahogany body and neck finished in a rich tobacco sunburst plays host to the famed Paul Beard "open" soundwell, resonator cone and spider bridge. This combination produces the sweet wood and metal tone that's so ideal for country blues and fingerstyle solos.  Guitar weight 6.2lbs

Supplied with case

Is Josh Graves more to your liking than Earl Scruggs? Then look no further! The Ozark 3515SQ (Square Neck)Resonator Guitar is the easily the best value for money when starting out on lap slide Hawaiian, Country, Bluegrass or Blues. 

A handsome SOLID mahogany body and neck finished in a rich tobacco sunburst plays host to the famed Paul Beard "open" soundwell, resonator cone and spider bridge. This all-solid wood workhorse resonator guitar is a Bluegrass stalwart that's ruggedly built to take life in the honkytonks in stride.

Fishman passive resophonic fitting also available as an option.

Supplied with a hard case.

With its nickel plated all-steel body and biscuit-style cone, the Ozark 3515N resonator guitar delivers a rich powerful tone and the classic resonator sound. No case supplied.

The Ozark 3515BE Biscuit resonator guitar is built in the classic National style. Features include a Solid brass Nickle plated body and Art-Deco style block inlays.
Decorative engraving on front, back and sides
Block abalone and mother of pearl inlay on fingerboard

The handsome mahogany body and neck (finished in a rich tobacco sunburst) plays host to the famed Paul Beard "open" soundwell, resonator cone and spider bridge. This workhorse resonator guitar is a Bluegrass stalwart that's ruggedly built to take life in the honkytonks in its stride. Supplied in a Deluxe Gold Tone Hardcase.

The PBS-D Deluxe has a striking curly maple body and a hard rock square maple neck, all finished in a rich tobacco sunburst. The fretboard is inlayed in the vintage hearts & flowers motif. The Deluxe is equipped with the famed Paul Beard "open" soundwell, resonator cone and spider bridge. This combination produces the sweet wood-and-metal tone that's ideal for Bluegrass steel playing.

This Ozark wood body parlour resonator has classic looks with a deep rich, punchy sound. Its small body has a spruce top with f-holes and 3 small sound holes which is complemented by mahogany finish back and sides. Supplied with padded gig bag.

The Gold Tone GRS's full-depth steel body takes the energy generated by the authentic reverse-cone resonator and biscuit bridge and pumps it out relentlessly. The new Gold Tone/Beard resonator coverplate features a removable palm rest making it a breeze to adjust string action, break angle, string spacing or to replace the bridge saddle without remove all that hardware.

While its thin steel body provides sweet acoustic tone, The GRE really shines when plugged in. The magic made by its authentic "lipstick" pickup enhances any playing style, from bottleneck blues to precision fingerpicking.

The cutaway version of our PBR has a handsome mahogany body and neck finished in a rich tobacco sunburst. It's equipped with the famed Paul Beard "open" soundwell, resonator cone and spider bridge. This combination produces the sweet wood-and-metal tone that's so ideal for country blues and fingerstyle solos.

The Barnes & Mullins BMR300 resonator guitar is the perfect instrument to begin or continue your foray into authentic blues and bluegrass guitar playing.

This classy parlour size resonator guitar features a beautiful satin spruce top matched with an open pore mahogany back and sides and a single cone, biscuit bridge resonator design with a chrome resonator cover and hardware. The top pairs two f-holes with three circular soundholes for a traditional and stylish aesthetic. 

A mahogany ‘round-neck’ and walnut fingerboard meet a slotted headstock with open geared lyra machineheads, completing the BMR300’s ‘old-time’ look and feel.

Tonally, you can expect a naturally loud and articulate sound, and due to its shared resonator design characteristics with the banjo, the BMR300 delivers a distinctive banjo-esque mid / high range metallic assertiveness guaranteed to give your playing a truly authentic bluesy vibe. The combination of spruce and mahogany body tonewoods add a wonderful warmth, while the soundholes further ensure excellent volume and provide a well-rounded low-end.