Irish Music Books
Fifty new tunes of Irish dance music composed by Tomás O Canainn, suitable for all traditional players. Many of the tunes in this book have already entered the repertoire of musicians in Ireland and further afield.
Enhance your Irish session repertoire with this useful book packed with popular standard Irish session tunes. It follows the usual session format of lots of reels, some jigs and a few hornpipes, polkas, slides, slip jigs and barn dances. 'Session friendly
CLEARANCE
This tune book contains jigs and reels from the Portland, Oregon contra dance repertoire. Irish, Scottish, Québécois, Appalachian, and New England genres are represented. The tunes are both traditional and recently composed, from local treasures to national contra dance standards. There is an extensive commentary on every tune including stories about the tunes from their composers. There are chord suggestions, a discography, a bibliography, and more. The tunes and their histories were collected from many local contra dance musicians who generously gave of their time and talent to help create this comprehensive musical resource.
This major collection of traditional slow airs represents an important step forward in the documentation of Irish music. This book is the key to a fuller appreciation of a musical richness that stretches back through the centuries. Comes with Online Audio access.
World traveling fingerstyle guitarist Pat Kirtley presents 17 solo guitar arrangements of traditional Irish tunes including a few original compositions in the same vein by himself, Pierre Bensusan, and Duck Baker. As all of the tunes in this 1997 recording were arranged in altered tunings (DADGAD, EADEAE or DADEAD), each appears in both standard notation and tablature with insightful performance notes. In general, these transcriptions from Pat Kirtley's 1997 album of the same title are extremely accurate: The Red-Haired Boy, however, played as a duet with Steve Rector on the album - appears as a solo arrangement in this book. Recommended for the intermediate to advanced player,the author provides insightful performance notes for each tune.
In this book you'll learn creative, fun techniques and ideas on playing backup. Playing backup means responding in a sensitive manner with singers and other musicians. So let's take a serious look at what to do when you're not soloing. The question is: to play or not to play?
15 favorites arranged for solo guitar in notes and tab, including: Down by the Salley Gardens · The Foggy Dew · The Galway Piper · The Gypsy Rover · Londonderry Air · Molly Malone · Sweet Rosie O'Grady · Water Is Wide · The Wearing of the Green · When Irish Eyes Are Smiling · Whiskey in the Jar · Wild Rover · and more.
This book is a complete guide to traditional Irish music. It contains fifty tunes, advice on alternate tunings, chord substitution, technique for accompaniment and solo playing and much more. It also has a bibliography,discography, and Sections On Irish music in general. The book is complete with an accompanying demo CD which features Paul de Grae playing thirty-one tunes from the book.
CLEARANCE
The Portland Collection, Volume 2 is a continuation of the music in the first Portland Collection, and its format is identical to that of the earlier book. Volume 2 contains 322 jigs and reels from the Portland, Oregon contra dance repertoire–all music that arrived in Portland since the tunes were collected for the first book in 1994-95. Again, Irish, Scottish, Québécois, Appalachian, and New England genres are represented. The tunes are both traditional and recently composed, from local treasures to national contra dance standards. There is an extensive commentary on every tune including stories about the tunes from their composers. There are chord suggestions, a discography, a bibliography, and more. The tunes and their histories were collected from many local contra dance musicians who generously gave of their time and talent to help us expand on the music in Volume 1.